Dress
Conclusion
The wide range of past and present approaches to the study of clothing and fashion outlined here were well established by the early 2000s, as confirmed by their use within museum exhibitions and a full range of dress publications dealing with historical, ethnographical, and fashion analysis. As Ann Smart Martin clearly states, all of this reflects, finally, "the shifts in intellectual feelings about the core relationships between humans, goods and society" (p. 143).
See also Body, The; Cultural Revivals; Cultural Studies; Masks; Textiles and Fiber Arts as Catalysts for Ideas.
BIBLIOGRAPHY
Bennett, Tony, et al. Politics, Ideology, and Popular Culture. Milton Keynes, U.K.: Open University Press, 1982.
Breward, Christopher. "Cultures, Identities: Fashioning a Cultural Approach to Dress." Fashion Theory 2, no. 4 (December 1998): 301–313.
Carter, Angela. "Truly It Felt Like Year One." In Very Heaven: Looking Back at the Sixties, edited by Sara Maitland, 209–216. London: Virago, 1988.
Csillery, Klára, Edit Fél, and Tamás Hofer. Hungarian Peasant Art. Budapest: Corvina, 1969.
Cunningham, Patricia. "Beyond Artifact and Object Chronology." Dress 14 (1988): 76–79.
Davis, Fred. Fashion, Culture, and Identity. Chicago: University of Chicago Press, 1992.
Eicher, Joanne B. Dress and Ethnicity. Oxford: Berg, 1995.
Evans, Caroline. Fashon at the Edge: Spectacle, Modernity, and Deathliness. New Haven, Conn.: Yale University Press, 2003.
————. "Street Style: Subcultures and Subversion." Costume 31 (1997): 105–110.
Evans, Caroline, and Minna Thornton. Women and Fashion: A New Look. London: Quartet, 1989.
Hitchcock, Tim, and Michèle Cohen. English Masculinities, 1660–1800. New York: Addison Wesley, 1999.
Hofer, Tamás, and Edit Fél. Hungarian Folk Art. Translated by Mária Kresz and Bertha Gaster. New York: Oxford University Press, 1979.
Hollander, Anne. Fabrics of Vision: Dress and Drapery in Painting. London: National Gallery, 2002.
Hooper-Greenhill, Eileen. Museums and the Interpretation of Visual Culture. London: Routledge, 2000.
Jones, Colin. Madame de Pompadour: Images of a Mistress. London: National Gallery, 2002.
Martin, Ann Smart. "Makers, Buyers, and Users: Consumerism as a Material Culture Framework." Winterthur Portfolio 28, nos. 2/4 (summer/autumn 1993): 141–157.
Mort, Frank. Cultures and Consumption: Masculinities and Social Space in Late Twentieth-Century Britain. London: Routledge, 1996.
Perani, Judith, and Norma H. Wolff. Cloth, Dress, and Art Patronage in Africa. New York: Berg, 1999.
Ribeiro, Aileen. Dress in Eighteenth-Century Europe, 1715–1789. New Haven, Conn.: Yale University Press, 2002.
Roberts, Claire. Evolution and Revolution: Chinese Dress, 1700s–1990s. Sydney, Australia: Powerhouse, 1997.
Ross, Doran H., ed. Wrapped in Pride: Ghanaian Kente Cloth and African American Identity. Los Angeles: UCLA Fowler Museum of Cultural History, 1998.
Ross, Michael, and Reg Crowshoe. "Shadows and Sacred Geography: First Nations History-Making from an Alberta Perspective." In Making Histories in Museums, edited by G. Kavanagh, 240–256. Leicester, U.K.: Leicester University Press, 1996.
Starzecka, Dorota. Maori: Art and Culture. Auckland, New Zealand: British Museum, 1996.
Taylor, Lou. The Study of Dress History. London: Manchester University Press, 2002.
Vickery, Amanda. "Women and the World of Goods: A Lancashire Consumer and Her Possessions, 1751–1781." In Consumption and the World of Goods, edited by John Brewer and Roy Porter, 274–301. London: Routledge, 1993.
————. The Gentleman's Daughter: Women's Lives in Georgian England. New Haven, Conn.: Yale University Press, 1998.
Wilson, Elizabeth. "All the Rage." In Fabrication: Costume and the Female Body, edited by Jane Gaines and Charlotte Herzog. London: Routledge, 1990.
Lou Taylor
Additional topics
Science EncyclopediaScience & Philosophy: Direct Variation to DysplasiaDress - Constructions Of Beauty: Sexuality And Issues Of Gendered Dress, Clothing As A Powerful Container Of National And Community Identity