Masks - Origins, The Functions Of Masking, Bibliography
term human found arabic
The Western term for an object that transforms a face, mask, derives from the Arabic word maskhara, "to transform into an animal or monster." This term was derived from the term msk, used in the middle Egyptian period to denote "second skin." In Arabic, it became msr, which meant "to Egyptianize," referring to the ubiquitous practice among Egyptians of masquerading, as the Arabs noted (Nunley and McCarty, p. 15). Masks, however, were an integral component in the development of human culture and social evolution long before the term mask ever existed. A lion-headed human figure
carved from mammoth ivory found in France has been dated to at least 30,000 B.C.E., from the later Aurignacian (Upper Paleolithic) period. Moreover, masked images of humans have been found on Mimbres pottery (ninth to thirteenth centuries) in the American Southwest and in painted images on rock surfaces in Australia, Africa, and Siberia.
Additional Topics
Given that masks and the performance complex of masking, known as the masquerade, are found in practically all cultures at one time or another, there must be some fundamental reasons for the emergence of such a cultural practice. The development of shamanism seems to go hand in hand with masking and masquerading. As humans began to observe nature empirically, including their own behavior, parts of…
Masquerades have many functions, yet they appear to cluster into particular categories. There are masks associated with rites of passage such as adolescents' initiations, other age-related ceremonies, and death. Masking in seasonal festivals and renewal rituals is associated with the earth's fertility and the path of the sun as it appears to us from Earth. In other masquerades, men p…
Brockett, Oscar G. History of the Theatre. Boston: Allyn and Bacon, 1995. Bullough, Vern L., and Bonnie Bullough. Cross-Dressing, Sex, and Gender. Philadelphia: University of Pennsylvania Press, 1993. Burch, Jr., Ernest S. "War and Trade." In Crossroads of Continents: Cultures of Siberia and Alaska, edited by William W. Fitzhugh and Aron Crowell, 227–240. Washington, D.C.: Smi…
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