Gender in Art - From Antique Through Classical Art, Middle Ages, The Renaissance And The Baroque, Eighteenth And Nineteenth Centuries
cultural sexes studies pictorial
Gender, other than a biological or physical determination of the sexes, is a cultural and social classification of masculinity and femininity. Gender presentations in art are the outcome of the cultural process of defining sexual and social identity. Pictorial art and literature, as means of expression through transformation and stylization, are the predominant media reflecting this cultural process.
While the term gender refers to both sexes, the concept of gender issues has been primarily driven by a movement of women's emancipation and the twentieth-century emergence of feminism, as women have sought to obtain the rights, privileges, and unique forms of expression that men have enjoyed historically in patriarchal societies where class, race, and sexuality were defined by the dominant gender. The emergence of feminist art and art history since the 1960s has not only resulted in a re-appreciation of the representation of the woman as a subject, creator, and receptor of pictorial art but also has inspired a broader examination of gender-related issues in art through the establishment of gay studies and men's studies, where questions of homosexuality, heterosexuality, masculinity, femininity, and indeed sex itself all pertain to the concept of gender. The understanding of gender in art is thus intrinsically linked to the method and perspective of contemporary gender research.
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Nativity and Adoration of the Shepherds (gospel book; 1262) by T'oros Roslin. Tempera on parchment. During the Middle Ages depictions of the Virgin Mary symbolized contemporary notions of the feminine ideal—a mother devoted to the spiritual concepts of chastity, humility, piety, repentance, and salvation. THE WALTERS ART MUSEUM, BALTIMORE
In classical art, gender qualities ass…
During the Middle Ages, presentations of gender were sublimated mostly in depictions of biblical figures. Notably a single figure, that of the Virgin Mary, represented most of the attributes associated with the feminine in an idealized figure. Mary's role as Christ's mother in depictions such as T'oros Roslin's Christ's Nativity and the Adoration of the Shepherds…
Since the Renaissance, writers, intellectuals, and artists have been increasingly engaged with gender issues, particularly in discussing the social role of the feminine. The French phrase querelle des femmes (debate about women) referred to humanist discussions about womanhood and the female place in the contemporary culture of their day. Until then, following the Aristotelian approach, women were…
Sexism and patriarchism were prevalent in the nineteenth century. In his painting The Slave Market the French artist Jean-Léon Gérôme (1824–1904) presents masculine dominance and male voyeurism in relation to female abuse. In Victorian English art, traditional binary gender distinctions prevailed (for example G.E. Hicks's The Sinews of Old England, 1757). Moralistic co…
The appearance of new fashion designs for women in the beginning of the twentieth century with its acknowledged elements designating traditional masculine features signaled a change in gender identity and the emergence of a cross-gender figure. This pertains to both new presentations on gender roles in society and culture. In the work of the Mexican artist Frida Kahlo (1907–1954), her mascu…
Feminist art history is closely related with the feminist movement. One of the earliest themes of feminist art historians was that of the male gaze and its consequence on visual art. The early feminist art historians documented works of women's art and the perception of the woman in male art and defined the history and methodologies of feminist art. In 1972 the scholarly study Woman as Sex …
Aldrich, Robert, and Garry Wotherspoon, eds. Who's Who in Gay and Lesbian History. London and New York: Routledge, 2002. Broude, Norma, and Mary D. Garrard. Feminism and Art History: Questioning the Litany. New York: Harper and Row, 1982. ——, eds. The Expanding Discourse: Feminism and Art History. New York: Icon HarperCollins, 1992. Butters, Ronald R., John M. Clum, and Michae…
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