Visual Culture

Adorno, Theodor, and Max Horkheimer. Dialectic of Enlightenment. Translated by John Cumming. New York: Seabury Press, 1972.

Andersen, Robin. Consumer Culture and TV Programming. Boulder, Colo.: Westview Press, 1995.

Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press, 1996.

Baudrillard, Jean. Simulacra and Simulation. Translated by Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994.

Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 1981.

Beller, Jonathan. Acquiring Eyes: Philippine Visuality, Nationalism and the World-Media-System. Manila, Philippines: Ateneo de Manila University Press, 2004.

——."Kino-Eye, Kino World: Notes on the Cinematic Mode of Production." In The Visual Culture Reader, 2nd ed., edited by Nicholas Mirzoeff. London: Routledge, 2002.

Benjamin, Walter. Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Harcourt, Brace, and World, 1968.

Berger, John. Ways of Seeing. London: British Broadcasting Corporation, 1972.

Boyle, Deirdre. Subject to Change: Guerrilla Television Revisited. New York: Oxford University Press, 1997.

Bryson, Norman. "The Gaze in the Expanded Field." In Vision and Visuality, edited by Hal Foster. Seattle: Bay Press, 1988.

Butler, Judith. Bodies That Matter: On the Discursive Limits of "Sex." New York: Routledge, 1993.

Cartwright, Lisa. Screening the Body: Tracing Medicine's Visual Culture. Minneapolis: University of Minnesota Press, 1995.

Castells, Manuel. The Internet Galaxy: Reflections on the Internet, Business, and Society. Oxford: Oxford University Press, 2001.

Crary, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, Mass.: MIT Press, 1999.

Crenshaw, Kimberle Williams, and Garry Peller. "Reel Time/Real Justice." In Reading Rodney King/Reading Urban Uprising, edited by Robert Gooding-Williams. New York: Routledge, 1993.

Cubitt, Sean. Digital Aesthetics. London: Sage, 1998.

Debord, Guy. La société du spectacle. Paris: Buchet-Chastel, 1967. Translated by Donald Nicholson-Smith as The Society of the Spectacle. New York: Zone Books, 1994.

Debray, Régis. Media Manifestos. Translated by Eric Rauth. London: Verso, 1996.

Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, Mass.: Harvard University Press, 2002.

Du Bois, W. E. B. The Souls of Black Folk. Chicago: A. C. McClurg, 1903. Reprint, New York: Penguin Books, 1996.

Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003.

Fanon, Frantz. Black Skin, White Masks. Translated by Charles Lam Markmann. New York: Grove Press: 1967.

Foster, Hal. "Scopic Regimes of Modernity." In his Vision and Visuality. Seattle: Bay Press, 1988.

Foucault, Michel. Power/Knowledge: Selected Interviews and Other Writings 1972–77. Translated by Colin Gordon, et al. New York: Pantheon, 1980.

Halberstam, Judith, and Ira Livingston, eds. Posthuman Bodies. Bloomington: Indiana University Press, 1995.

Hall, Doug, and Sally Jo Fifer, eds. Illuminating Video: An Essential Guide to Video Art. New York: Aperture, 1991.

Jacobs, Harriet A. Incidents in the Life of a Slave Girl: Written by Herself. Cambridge, Mass.: Harvard University Press, 1987.

Jhally, Sut. The Codes of Advertising: Fetishism and the Political Economy of Meaning in the Consumer Society. London: F. Pinter, 1987.

Lacan, Jacques. The Four Fundamental Concepts of Psycho-analysis. Translated by Alain Sheridan. London: Hogarth, 1977.

Manovich, Lev. The Language of New Media. Cambridge, Mass.: MIT Press, 2001.

Marx, Karl. Economic and Philosophic Manuscripts of 1844. In The Marx-Engels Reader, edited by Robert C. Tucker. New York: Norton, 1972.

Mattelart, Armand. The Information Society: An Introduction. Translated by Susan G. Taponier and James A. Cohen. London: Sage, 2003.

McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: McGraw-Hill, 1964.

Mirzoeff, Nicholas, ed. The Visual Culture Reader. 2nd ed. London: Routledge, 2002.

Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994.

Mulvey, Laura. "Visual Pleasure and Narrative Cinema." In Narrative, Apparatus, Ideology: A Film Theory Reader, edited by Philip Rosen. New York: Columbia University Press, 1986.

Rafael, Vicente L. White Love: And Other Events in Filipino History. Durham, N.C.: Duke University Press, 2003.

Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.

Solanas, Fernando, and Octavio Getino. "Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World." In Movies and Methods: An Anthology, 2 vols., edited by Bill Nichols. Berkeley: University of California Press, 1976–1985.

Spigel, Lynn. Make Room for TV: Television and the Family Ideal in Postwar America. Chicago: University of Chicago Press, 1992.

Sturken, Marita, and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press, 2001.

Virilio, Paul. The Vision Machine. Bloomington: Indiana University Press, 1994.

——. War and Cinema: The Logistics of Perception. Translated by Patrick Camiller. London: Verso, 1989.

Williams, Raymond. Television: Technology and Cultural Form. New York: Schocken, 1974.

Jonathan Beller