Iconography

Baca, Murtha, ed. An Introduction to Art Image Access: Issues, Tools, Standards, Strategies. Los Angeles: Getty Research Institute, 2002.

Barthes, Roland. Mythologies. Selected and translated from the French by Annette Lavers. New York: Hill and Wang, 1972.

Bazin, Germain. Histoire de l'histoire de l'art: De Vasari à nos jours. Paris: A. Michel, 1986.

Beilmann, M. "Hans Van De Waal (1910–1972)." In Altmeister Moderner Kunstgeschichte, edited by Heinrich Dilly. Berlin: D. Reimer, 1990.

Bialostocki, Jan. "Iconografia e Iconologia." In Enciclopedia universale dell'arte, vol. 7. Venice: Istituto per la collaborazione culturale, 1962.

——. Stil und Ikonographie: Studien zur Kunstwissenschaft. Cologne, Germany: DuMont, 1981.

Bolvig, Axel, and Phillip Lindley, eds. History and Images: Towards a New Iconology. Turnhout, Belgium: Brepols, 2003.

Cassidy, Brendan, ed. Iconography at the Crossroads: Papers from the Colloquium Sponsored by the Index of Christian Art, Princeton University, 23–24 March 1990. Princeton, N.J.: Princeton University Department of Art and Archaeology, 1993.

Dvorák, Max. The History of Art as the History of Ideas. Translated by John Hardy. London and Boston: Routledge and Kegan Paul, 1984.

Eliade, Mircea. Images and Symbols: Studies in Religious Symbolism. Translated by Philip Mairet. New York: Sheed and Ward, 1961.

Émile Mâle: Le symbolisme chrétien: Exposition. Vichy, France: La Bibliothèque, 1983.

Ferretti, Silvia. Cassirer, Panofsky, and Warburg: Symbol, Art, and History. Translated by Richard Pierce. New Haven, Conn.: Yale University Press, 1989.

Foskett, Antony Charles. The Subject Approach to Information. London: Bingley; Hamden, Conn.: Linnet, 1981.

Friedman, John B., and Jessica M. Wegmann. Medieval Iconography: A Research Guide. New York: Garland, 1998.

Heckscher, William. "The Genesis of Iconology." In Stil und Überlieferung in der Kunst des Abendlandes, 239–262. Berlin: Gebr. Mann, 1967.

Heidt Heller, Renate. Erwin Panofsky: Kunsttheorie u. Einzelwerk. Cologne and Vienna: Böhlau, 1977.

Holly, Michael Ann. Panofsky and the Foundations of Art History. Ithaca, N.Y.: Cornell University Press, 1984.

——. "The Origin and Development of Erwin Panofsky's Theories of Art." Ph.D. diss., Cornell University, 1981.

Hourihane, Colum, ed. Insights and Interpretations: Studies in Celebration of the Eighty-Fifth Anniversary of the Index of Christian Art. Princeton, N.J.: Princeton University Press, 2002.

Kaemmerling, Ekkehard, ed. Ikonographie und Ikonologie: Theorien, Entwicklung, Probleme. Bd. 1: Bildende Kunst als Zeichensystem. Cologne: DuMont, 1979.

Lavin, Irving, ed. Meaning in the Visual Arts: Views from the Outside: A Centennial Commemoration of Erwin Panofsky 1892–1968. Princeton, N.J.: Princeton University Institute for Advanced Study, 1995.

Lavin, Marilyn. The Eye of the Tiger: The Founding and Development of the Department of Art and Archaeology, Princeton University, 1883–1923. Princeton, N.J.: Princeton University Press, 1983.

Meiss, Millard, ed. De artibus opuscula XL: Essays in Honor of Erwin Panofsky. New York: New York University, 1961.

Molanus, Johannes. Traité des saintes images: De picturis et imaginibus sacris. Paris: Cerf, 1996.

Panofsky, Erwin. Meaning in the Visual Arts: Papers in and on Art History. Garden City, N.Y.: Doubleday, 1955.

——. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. New York: Oxford University Press, 1939.

Porter, A. Kingsley. "Spain or Toulouse? and Other Questions." Art Bulletin 7 (1924): 4.

Ripa, Caesare. Iconologia. Edited by Piero Buscaroli. 2 vols. Turin, Italy: Fògola, 1986.

Smyth, Craig Hugh, and Peter Lukehart, eds. The Early Years of Art History in the United States. Princeton, N.J.: Princeton University Department of Art and Archaeology, 1993.

Straten, Roelof van. An Introduction to Iconography. Translated by Patricia de Man. Langhorne, Pa.: Gordon and Breach, 1993.

Waal, Henri van de. ICONCLASS, an Iconographic Classification System. Completed and edited by L. D. Couprie et al. Amsterdam: n.p., 1985.

Colum Hourihane