Daoism
Cosmos And Gods
The cosmos generated by the Dao and the heavens inhabited by deities that personify the Dao are intermediaries between the Absolute and the human world. These two domains overlap to a significant extent, for certain deities and certain features of the cosmos correspond to each other. Both of them play an essential role in the various ways that Daoism provides for "returning to the Dao" (fandao), which are addressed either to the single individual or to the community as a whole.
Correlative cosmology.
The features and workings of the cosmic domain are explicated in Daoism largely by means of the language and images of the standard Chinese cosmological system. This system, often referred to as "correlative cosmology" by scholars, is based on several patterns of emblems (xiang) such as Yin and Yang, the five agents (wuxing), and the eight trigrams and sixty-four hexagrams of the Book of Changes (Yijing). These emblems function as categories to which the single entities or phenomena can be assigned. The five agents, for instance, emblematize the modes or states in which the one Original Pneuma (yuanqi) appears in the cosmos, represented by Wood, Fire, Soil, Metal, and Water. Directions of space, segments of time cycles, numbers, colors, planets, viscera of the human body, musical notes, and so forth can be assigned to one of these emblematic categories in order to define not only the relations that occur among the elements of a series, but also those that occur among the different domains. Wood, for instance, is associated with the east, spring, the numbers 3 and 8, the color green (or blue), Jupiter, the liver, and the note jiao. The purpose of correlative cosmology, therefore, is not so much to explain what causes an entity to exist or a phenomenon to occur as it is to define its relation to other entities and phenomena. An important corollary to this view is that an event or action happening or performed in one domain may affect the corresponding components in another domain according to the principle of "stimulus and response" (ganying), by which things of the same "category" (lei) influence each other.
Correlative cosmology, which took shape as a comprehensive system between the third and the second centuries B.C.E., is not tied to any specific intellectual or religious legacy and is the result of an effort to create a comprehensive analytic and synthetic system with contributions both by thinkers and by specialists of various traditional sciences, including diviners, astronomers, and physicians. Daoism is one of several traditions that have drawn upon correlative cosmology to formulate its views and to frame its techniques or practices. In Daoism, correlative cosmology serves not only to explicate the functioning of the cosmos, but also to illustrate the notion that single entities and phenomena ultimately originate from the Dao and that the different forms in the world of multiplicity are governed by the One, the principle of the unity of the cosmos. At the same time, the emblems of correlative cosmology serve to regulate the process of "returning to the Dao" through the support of a microcosmic framework—the ritual area, the alchemical laboratory, or the human being itself. The ritual area, for instance, is arranged so as to correspond to the cosmos and its temporal and spatial configurations (Lagerwey, 1987, pp. 3–48). In alchemy, the stages of the compounding of the elixir reproduces in a reverse sequence the cosmological configurations that intervene between the absolute Dao and the domain of relativity.
Communicating with the gods.
The supreme Daoist deities are the Three Clarities (sanqing), each of whom rules over one of the many heavens distinguished in Daoist cosmography. They are associated with different precosmic eras and are at the origin of the textual corpora associated with the Three Caverns. Above them some traditions place the Celestial Worthy of Original Commencement (Yuanshi tianzun), who dwells in the supreme Great Canopy Heaven (Daluo tian). The unity of the cosmos is represented in a deified form by the Great One (or Great Unity, Taiyi); he resides at the symbolic center of the cosmos in the Northern Dipper (beidou), whose apparent rotation distributes Original Pneuma to the regions of space and sustains the cycles of time. Several other gods, such as the "emperors" of the five directions (north, south, east, west, and center), also represent cosmological principles. In addition, a multitude of deities, most of whom are the expression of local cults, contribute to form a pantheon with indefinite boundaries that takes different forms according to place and time.
The highest gods, or their representatives, reveal texts, teachings, and practices. The scriptures belonging to the Shangqing and Lingbao corpora are deemed to have taken shape from graphs coagulated from Original Pneuma, or from sounds generated by its vibration, in the early stages of the formation of the cosmos. Those graphs constitute the prototypes of the revealed scriptures, which at first are transmitted from one god to another, undergoing various stages of materialization until they are delivered to humans by a divine being. Just as the gods grant revelations mostly in the form of scriptures, and consistently with the bureaucratic metaphor mentioned above, the typically Daoist form of communicating with the gods is by writing. In Daoist ritual, the priest delivers a "memorial" (or "statement," shu) to the deities to announce that a ceremony will be performed in their honor, declare its purpose, specify its program, and list the names of those who sponsor it. The so-called talismans (fu, a word that corresponds almost exactly to Greek symbolon) are traced on paper or other supports, including air, in graphs intelligible to the gods. Like the revealed scriptures—some of which, in fact, are deemed to have evolved from them—the talismans have a counterpart in Heaven, and thus serve to identify and authenticate their possessor. Talismans confer power to summon certain deities and to control demons, but they also protect space and heal illnesses; they are worn on one's body, affixed at the four directions, placed along the path that leads to one's dwelling, or made into ashes and drunk with water. Another important ritual object that has a written form is the "register" (lu), a formal document of investiture that the Daoist priest receives at various stages of his ordination and that defines his rank, the rites that he may perform, and the deities and spirits over which he has control.
Additional topics
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