Aesthetics in Asia

Akutagawa, Ryunosuke. "The Hell Screen." In The World of Japanese Fiction, edited by Yoshinobu Hakutani and Arthur O. Lewis. New York: Dutton, 1973.

Anesaki, Masaharu. Art, Life, and Nature in Japan. New York: Japan Society, 1933; Rutland, Vt., and Tokyo: Charles E. Tuttle Co., 1973.

Bharata Muni. Natya Sastra (Treatise on dramaturgy). Edited by Kapila Katsyayan. New Delhi: Sahitya Akademi, 1996.

Bush, Susan. The Chinese Literati on Painting: Su Shih (1037–1101) to Tung Ch'i-ch'ang (1555–1636). Cambridge, Mass.: Harvard University Press, 1971.

Callicott, J. Baird, and Roger T. Ames, eds. Nature in Asian Traditions of Thought: Essays in Environmental Philosophy. Albany: State University of New York Press, 1989.

Chan, Wing-tsit, ed. Chu Hsi and Neo-Confucianism. Honolulu: University of Hawaii Press, 1986.

Chang, Chung-yuan. Creativity and Taoism: A Study of Chinese Philosophy, Art, and Poetry. New York: Julian Press, 1963; Harper Colophon Books, 1970.

Davis, Darrell William. Picturing Japaneseness: Monumental Style, National Identity, Japanese Film. New York: Columbia University Press, 1996.

De Bary, Wm. Theodore, Wing-tsit Chan, and Burton Watson. Sources of Chinese Tradition. 2 vols. New York: Columbia University Press, 1960.

De Bary, Wm. Theodore, et al., eds. Sources of Japanese Tradition. 2 vols. New York: Columbia University Press, 1958.

Embree, Ainslie T. Sources of Indian Tradition. Vol. 1: From the Beginning to 1800. 2nd ed. New York: Columbia University Press, 1988.

Gupta, Shyamala. Art, Beauty, and Creativity: Indian and Western Aesthetics. New Delhi: D. K. Printworld, 1999.

Hall, David L., and Roger T. Ames. Thinking through Confucius. Albany: State University of New York Press, 1987.

Iravati. Performing Artists in Ancient India. New Delhi: D. K. Printworld, 2003.

Kamo no Chomei. Hojoki: Visions of a Torn World. Translated by Yasuhiko Moriguchi and David Jenkins. Berkeley, Calif.: Stone Bridge Press, 1996.

Kasulis, Thomas P. "Zen and Artistry." In Self as Image in Asian Theory and Practice, edited by Roger T. Ames with Thomas P. Kasulis and Wimal Dissanayake, 357–372. Albany: State University of New York Press, 1998.

Keene, Donald. "Feminine Sensibility in the Heian Era." In Japanese Aesthetics and Culture: A Reader, edited by Nancy G. Hume, 109–123. Albany: State University of New York Press, 1995.

Ki no Tsurayuki. Kokin Wakashu: The First Imperial Anthology of Japanese Poetry. Translated by Helen Craig McCullough. Stanford, Calif.: Stanford University Press, 1985.

Malik, S. C. Dhvani: Nature and Culture of Sound. New Delhi: D. K. Printworld, 1999.

McDougall, Bonnie S., trans. and ed. Mao Zedong's "Talks at the Yan'an Conference on Literature and Art": A Translation of the 1943 Text with Commentary. Ann Arbor: University of Michigan, 1980.

Miner, Earl, Hiroko Odagiri, and Robert E. Morrell. The Princeton Companion to Classical Japanese Literature. Princeton, N.J.: Princeton University Press, 1985.

Mittal, Anjali. Hindustani Music and the Aesthetic Concept of Form. New Delhi: D. K. Printworld, 2000.

Murasaki Shikibu. The Tale of Genji. Translated by Edward G. Seidensticker. New York: Vintage Books, 1976.

Ohnuki-Tierney, Emiko. Kamikaze, Cherry Blossoms, and Nationalisms: The Militarization of Aesthetics in Japanese History. Chicago: University of Chicago Press, 2002.

Reinhold, Christiana. "Okakura Kakuzo and the Production of the Japan Discourse in the Early Twentieth-Century United States." In Essays in History, edited by the Corcoran Department of History at the University of Virginia, vol. 39. Charlottesville: Corcoran Department of History, University of Virginia, 1997.

Saito, Yuriko. "The Japanese Appreciation of Nature." British Journal of Aesthetics 23, no. 3 (1985): 239–251.

Sei Shonagon. The Pillow-Book of Sei Shonagon. Translated by Arthur Waley. London: George Allen and Unwin, 1928.

Sullivan, Michael. The Arts of China. 4th ed. Berkeley and Los Angeles: University of California Press, 1999.

Teng Gu. Tang Song huihua shi (A history of painting during the Tang and Song dynasties). Beijing: Zhongguo gudian yishu chubanshe, 1958.

Tripurari, B. V. Aesthetic Vedanta: The Sacred Path of Passionate Love. Eugene, Oreg.: Mandala Publishing Group, 1998.

Tsunoda, Ryusaku, William Theodore de Bary, and Donald Keene, eds. Sources of Japanese Tradition. 2 vols. New York: Columbia University Press, 1958.

Wen Fong. "On Hsieh Ho's Liu-fa." Oriental Art (new series) 9, no. 4 (1963): 3–6.

Zhou Yang. Report delivered to the Second Congress of Literary and Art Workers, September 1953.