Modernity - East Asia - Civilization And Enlightenment: Meiji Japan (1868–1912), Belated Enlightenment: China (1880s–1920s), Urban Cosmopolitan Modernity (1920s–1930s)
region west recent intellectual
Modernity (kindaisei in Japanese, and xiandaixing in Chinese) is a relatively recent term in the intellectual vocabulary of East Asia, becoming current only after World War II. Differing conceptions of "the modern" start much earlier, when terms long available in both languages acquired new connotations, as the region felt the impact of the West. The classical Chinese jin (close, nearby) provided the root for the Japanese kinsei, or "recent epoch," popularized in the sense of "modern period" by translations of European works in Meiji time. It was soon replaced by kindai to free Buddhist implications in sei. These came to China as loanwords jinshi and jindai, but gave way to xiandai in the early 1920s, indicating not "recent" but "present" age. Although intellectual exchange between the two countries was intense after the Opium War (1840–1842), ideas relating to the "modern" in fact developed along distinctive trajectories.
At the same time, certain shared features have been unmistakable. The notion of the modern, coming to the region accompanied by the military violence of Western imperialism, acquired a strongly spatial, not just temporal, force. It meant learning from the West in both enlightenment and material advance, and struggling for equal position with the West in national, cultural, and intellectual terms. This implied an inevitable element of borrowing or imitation, bringing with it anxieties of collective identity. Moreover, the very process of
modernization brought unintended—or even uncontrollable—changes to social life, turning "modernity" into part of an unprecedented daily experience that demanded articulation. Consequently, hard claimed universal ideas have been constantly challenged by local experience, and the relation between universal aspiration and particular attributes is never stable. These were issues that have preoccupied thinkers in the region down to the present.
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The Meiji Restoration set the stage for the first major bid of modernization. The driving force behind the program was the determination to secure fukoky kȳohei—rich country, strong army. But Meiji culture contained other aspirations as well. The most popular catchwords of the early Meiji years—bunmei kaika, "civilization and enlightenment"—were significant…
On the East Asia mainland, ideas of modernity developed later. In Korea, most enlightenment thinkers were trained in Japan, and these became the leading spokespersons for modernizing reforms in the late nineteenth century, and, when Korea eventually fell to Japanese colonialism in 1910, for a cultural nationalism and political independence. Chinese thinking about modernity, by contrast, was shaped…
In interwar Japan a new kind of consciousness of modernity crystallized, around the scenes, rhythms, and sensations of big-city life, which spread to China some ten years later. This was the modern not of institutions or technologies but of the experience of life Charles Baudelaire (1821–1867) and Arthur Rimbaud (1854–1891) had celebrated in Europe. The 1920s saw a wave of translatio…
Intellectual reactions against modernity started early in East Asia, and were not confined to traditionalists. Alarm at the "madness" or "lost soul" of modern industrialism and militarism was soon expressed by enlightenment intellectuals in both China and Japan. Touring Europe after World War I, Liang Qichao (1873–1929) was shocked by what he found: Countless tot…
If modernity and modernization were characteristically Weberian concerns, they had little place in Marxist thinking, since their generality blurs the distinction between capitalism and socialism as forms of postfeudal society that is central to Marx's theory of history. Thus the major historical controversy within the communist movement in the two countries developed quite independently of …
Alitto, Guy. The Last Confucian: Liang Shu-ming and the Chinese Dilemma of Modernity. Berkeley: University of California Press, 1979. Arima Tatsuo. The Failure of Freedom: A Portrait of Modern Japanese Intellectuals. Cambridge, Mass.: Harvard University Press, 1969. Asada, Akira. "Infantile Capitalism and Japan's Postmodernism: A Fairy Tale." In Postmodernism and Japan, edited…
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