Aesthetics in Africa - Aesthetic Discourse, Cross-cultural Thematics, Aesthetics On The Move, Bibliography
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Africa has more than two thousand languages, representing several thousand cultures, each with its own system of logic. No single aesthetic philosophy characterizes the continent, and
any concept of a coherent "Africa" is arbitrary, given such extraordinary diversity. Furthermore, a given culture may possess several aesthetic discourses, as may any artistic genre. Globalization complicates matters even more, for one cannot discuss the aesthetics of contemporary African artists without considering transnational paradigms and hybrid visions.
Given such complexities, how can one propose any comprehensive notion of African aesthetics? One may consider key aesthetic concepts of a particular group, such as the Yoruba peoples of Nigeria, to demonstrate the specificity of aesthetics. Other revealing themes are aesthetic experiences crossing the boundaries of "traditional" African societies; the efficacy, concealment, and revelations of African arts; a common aesthetic of accumulation and process; and the performativity and polysemy of African expression. Finally, colonial and postcolonial aesthetic encounters are relevant to a discussion of how changing aesthetics shape present concerns.
Additional Topics
Aesthetics comes from the Greek word for "sense of perception" and can be defined only within particular cultural systems. Cultural insiders must be consulted to ascertain how and why aesthetic concepts come to hold value. African aesthetic concepts reach into moral and spiritual realms. Linguistic exploration of African aesthetic terms finds that words for beauty and goodness often …
Through ashe, Yoruba arts are highly efficacious—that is, objects work and transform peoples' lives. For many African cultures, how an object looks is related to the way it works, according to strict aesthetic specifications, for protection, healing, communication, mediation, or empowerment. Like aesthetics more generally, each culture has its own concepts of efficacy. For Bantu-spea…
Recent study of African aesthetics includes two critically important thrusts: popular urban arts and diasporic art forms of
the black Atlantic, and an Indian Ocean world linking eastern Africa with South Asia. Again, aesthetic principles of urban arts are contingent upon local use and intent. For instance, urban paintings by the late Congolese artist Tshibumba Kanda Matulu reflect an aesthetic in…
Abiodun, Rowland, Henry John Drewal, and John Pemberton III. Yoruba: Art and Aesthetics. Edited by Lorenz Homberger. New York and Zurich: The Center for African Art and Rietberg Museum, 1991. Barber, Karin, ed. Readings in African Popular Culture. Bloomington: International African Institute, in association with Indiana University Press, 1997. Berlo, Janet Catherine, and Lee Anne Wilson, eds. Arts…
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