Musicology

Attali, Jacques. Noise: The Political Economy of Music. Translated by Brian Massumi. Foreword by Frederic Jameson. Afterword by Susan McClary. Minneapolis and London: University of Minnesota Press, 1996.

Bourdieu, Pierre. Homo academicus. Translated by Peter Collier. Cambridge, U.K.: Polity Press; Stanford, Calif.: Stanford University Press, 1988.

Brett, Philip, Elizabeth Wood, and Gary C. Thomas, eds. Queering the Pitch: The New Gay and Lesbian Musicology. New York: Routledge, 1994.

Butt, John. Playing with History: The Historical Approach to Musical Performance. Cambridge, U.K., and New York: Cambridge University Press, 2002.

Cook, Nicholas. Music: A Very Short Introduction. Oxford and New York: Oxford University Press, 1998.

Cook, Nicholas, and Mark Everist, eds. Rethinking Music. Oxford and New York: Oxford University Press, 1999. Reprint with corrections, 2001.

Dahlhaus, Carl. Foundations of Music History. Translated by J. B. Robinson. Cambridge, U.K., and New York: Cambridge University Press, 1983.

——. Nineteenth-Century Music. Translated by J. Bradford Robinson. Berkeley and Los Angeles: University of California Press, 1989.

Goehr, Lydia. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon; New York: Oxford University Press, 1992.

Grout, Donald J., and Claude V. Palisca, eds. A History of Western Music. 6th ed. New York: Norton, 2000.

Jeffery, Peter. Re-Envisioning Past Musical Cultures: Ethnomusicology in the Study of Gregorian Chant. Chicago and London: University of Chicago Press, 1992.

Kerman, Joseph. Contemplating Music: Challenges to Musicology. Cambridge, Mass.: Harvard University Press, 1985.

Kivy, Peter. Authenticities: Philosophical Reflections on Musical Performance. Ithaca, N.Y.: Cornell University Press, 1995.

Leech-Wilkinson, Daniel. The Modern Invention of Medieval Music: Scholarship, Ideology, Performance. Cambridge, U.K.: Cambridge University Press, 2002.

McClary, Susan. Conventional Wisdom: The Content of Musical Form. Berkeley, Los Angeles, and London: University of California Press, 2000.

——. Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press, 1991.

Pendle, Karin, ed. Women and Music: A History. 2nd ed. Bloomington: Indiana University Press, 2001.

Small, Christopher. Musicking: The Meanings of Performing and Listening. Middletown, Conn.: Wesleyan University Press; Hanover, N.H.: University Press of New England, 1998.

Solie, Ruth A. Musicology and Difference: Gender and Sexuality in Music Scholarship. Berkeley, Los Angeles, and London: University of California Press, 1993.

Taruskin, Richard. Text and Act: Essays on Music and Performance. Oxford: Oxford University Press, 1995.

Tomlinson, Gary. Music in Renaissance Magic: Toward a Historiography of Others. Chicago and London: University of Chicago Press, 1993.

Treitler, Leo. "The Historiography of Music: Issues of Past and Present." In Rethinking Music, edited by Nicholas Cook and Mark Everist. Oxford: Oxford University Press, 1999. Reprint with corrections, 2001.

——. Music and the Historical Imagination. Cambridge, Mass., and London: Harvard University Press, 1989.

Van den Toorn, Pieter C. Music, Politics, and the Academy. Berkeley, Los Angeles, and London: University of California Press, 1995.

Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Middletown, Conn.: Wesleyan University Press; Hanover, N.H.: University Press of New England, 1993.