Musical Performance and Audiences

Auslander, Philip. Liveness: Performance in a Mediatized Culture. London and New York: Routledge, 1999.

Béhague, Gerard, ed. Performance Practice: Ethnomusicological Perspectives. Westport, Conn.: Greenwood, 1984.

Berleant, Arnold. The Aesthetic Field. Springfield, Ill.: Thomas, 1970.

Cone, Edward T. "The Pianist As Critic." In The Practice of Performance: Studies in Musical Interpretation, edited by John Rink. Cambridge, U.K.: Cambridge University Press, 1995.

Davies, Stephen. Musical Works and Performances: A Philosophical Exploration. Oxford: Clarendon, 2001.

DePreist, James. Art for the Sake of Art: Musical Metamorphoses. San Diego, Calif.: San Diego State University, 1999.

Dunsby, Jonathan. Performing Music: Shared Concerns. Oxford: Clarendon, 1995.

Frisbee, Charlotte J. "An Approach to the Ethnography of Navajo Ceremonial Performance." In The Ethnography of Musical Performance, edited by Norma McLeod and Marcia Herndon. Norwood, Pa.: Norwood, 1980.

Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge, Mass.: Harvard University Press, 1996.

Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. 2nd ed. Indianapolis: Hackett, 1976.

Gracyk, Theodore. Rhythm and Noise: An Aesthetic of Rock. Durham, N.C., and London: Duke University Press, 1996.

Kivy, Peter. Authenticities: Philosophical Reflections on Musical Performance. Ithaca, N.Y., and London: Cornell University Press, 1995.

Lang, Paul Henry. Musicology and Performance. Edited by Alfred Mann and George J. Buelow. New Haven, Conn., and London: Yale University Press, 1997.

Levinson, Jerrold. Music, Art, and Metaphysics: Essays in Philosophical Aesthetics. Ithaca, N.Y., and London: Cornell University Press, 1990.

Mithen, Steven J. The Prehistory of the Mind: The Cognitive Origins of Art, Religion, and Science. London: Thames and Hudson, 1996.

Nettl, Bruno, with Melinda Russell, eds. In the Course of Performance: Studies in the World of Musical Improvisation. Chicago and London: University of Chicago Press, 1998.

Nketia, J. H. Kwabena. The Music of Africa. New York and London: Norton, 1974.

O'Dea, Jane. Virtue or Virtuosity?: Explorations in the Ethics of Musical Performance. Westport, Conn.: Greenwood, 2000.

Taruskin, Richard. "The Pastness of the Present and the Presence of the Past." In Authenticity and Early Music: A Symposium, edited by Nicholas Kenyon. Oxford and New York: Oxford University Press, 1988.