6 minute read

Anthropology of Music


Adler, Guido. "Umfang, Methode und Ziel der Musikwissenschaft." Vierteljahrschrift für Musikwissenschaft 1 (1885): 5–20.

Appadurai, Arjun. "Anthropology of Globalization." In International Encyclopedia of the Social and Behavioral Sciences, vol. 9, edited by Neil J. Smelser and Paul Baltes. Oxford: Elsevier Science, 2001.

Arguedas, Jose María. Formación de una cultura nacional indoamericana. Mexico: Siglo Veintiuno Editores S.A., 1977.

Armstrong, Robert Plant. The Affecting Presence: An Essay in Humanistic Anthropology. Urbana: University of Illinois Press, 1971.

Ballantine, Christopher. "Gender, Migrancy, and South African Popular Music in the Late 1940s and the 1950s." Ethnomusicology 44 (2000): 376–407.

Basso, Ellen. A Musical View of the Universe. Philadelphia: University of Pennsylvania Press, 1985.

Becker, Judith and Anton. "A Musical Icon: Power and Meaning in Javanese Gamelan Music." In The Sign in Music and Literature, edited by Wendy Steiner. Austin: University of Texas Press, 1981.

Béhague, Gerard, ed. Performance Practice: Ethnomusicological Perspectives. Westport, Conn.: Greenwood, 1984.

Benedict, Ruth. Patterns of Culture. New York: Penguin Books, 1934.

Besmer, Fremont E. Horses, Musicians, and Gods: The Hausa Cult of Possession-Trance. Zaria, Nigeria: Ahmadu Bello University Press, 1983.

Blacking, John. The Anthropology of the Body. London: Academic Press, 1977.

——. "Some Problems of Theory and Method in the Study of Musical Change." Yearbook of the International Folk Music Council 9 (1978): 1–26.

——. Venda Children's Songs: A Study in Ethnomusicological Analysis. Johannesburg: Witwatersrand University Press, 1967.

Boas, Franz. The Central Eskimo. Washington: Bureau of American Ethnology, 1888.

——. "The Limitations of the Comparative Method of Anthropology." Science 4, no. 103 (December 18, 1896).

Buechler, Hans C. The Masked Media: Aymara Fiestas and Social Iteraction in the Bolivian Highlands. The Hague: Mouton, 1980.

Burnett, Robert. The Global Jukebox: The International Music Industry. London: Routledge, 1996.

Christensen, Dieter. "Erich M. von Hornbostel, Carl Stumpf, and the Institutionalization of Comparative Musicology." In Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology, edited by Bruno Nettl and Philip V. Bohlman. Chicago: University of Chicago Press, 1991.

Ellis, Alexander J. "On the Musicial Scales of Various Nations." Journal of the Society of Arts, xxxiii (1885), 3/27: 485-527; 10/30: 1102–1111.

Erlmann, Veit. Music, Modernity, and the Global Imagination: South Africa and the West. New York: Oxford University Press, 1999.

——. "The Politics and Aesthetics of Transnational Musics." The World of Music 35, no. 2 (1993): 3–15. Feld, Steven. "Linguistic Models in Ethnomusicology." Ethnomusicology 15 (1974): 353–362.

——. Sound and Sentiment. Philadelphia: University of Pennsylvania Press, 1982.

——. "Aesthetics as Iconicity of Style, or 'Lit-Up-Over Sounding': Getting into the Kaluli Groove." Yearbook for Traditional Music 20 (1988): 74–114.

Fried, Morton H., ed. Readings in Anthropology, Vol. 2 of Cultural Anthropology. New York: Thomas Y. Crowell Company, 1968.

Frith, Simon. World Music, Politics, and Social Change. Manchester, U.K.: Manchester University Press, 1989.

Fry, Peter. Spirits of Protest: Spirit Mediums and the Articulation of Consensus among the Zezuru of Southern Rhodesia (Zimbabwe). Cambridge, U.K.: Cambridge University Press, 1976.

Herskovits, Melville J. "The Culture Areas of Africa." Africa 3 (1930): 59–76.

——. "Problem, Method and Theory in AfroAmerican Studies." Afroamericana 1 (1945): 5–24.

Herzog, George. "A Comparison of Pueblo and Pima Musical Styles." Journal of American Folk-lore 49, no. 194 (1936): 284–417.

Hornbostel, Erich M. von. "The Problems of Comparative Musicology." In Opera Omnia I, edited by Klaus P. Wachsmann, Dieter Christensen, and Hans-Peter Reinecke. The Hague: Nijhoff, 1905 [1975].

Kaeppler, Adrienne L. "Melody, Drone and Decoration: Underlying Structures and Surface Manifestations in Tongan Art and Society." In Art in Society: Studies in Style, Culture and Aesthetics, edited by Michael Greenhalgh and Vincent Megaw. London: Gerald Duckworth, 1978.

Kartomi, Margaret J. "The Processes and Results of Musical Culture Contact: A Discussion of Terminology and Concepts." Ethnomusicology 25 (1981): 227–250.

Kauffman, Robert. "Shona Urban Music: A Process which Maintains Traditional Values." In Urban Man in Southern Africa, edited by Clive Kileff and Wade C. Pendleton. Gweru: Mambo Press, 1975.

Keil, Charles. Tiv Song. Chicago: University of Chicago Press, 1979.

Kolinski, Mieczyslaw. "Recent Trends in Ethnomusicology." Ethnomusicology 11 (1967): 1–24.

Koskoff, Ellen, ed. Women and Music in Cross-Cultural Perspective. New York: Greenwood, 1987.

Kroeber, A. L. Cultural and Natural Areas of Native North America. Berkeley: University of California Press, 1947.

Kunst, Jaap. Ethno-musicology: A Study of its Nature, its Problems, Methods and Representative Personalities to which Is Added a Bibliography. The Hague: Martinus Nijhoff, 1955.

Lomax, Alan. Folk Song Style and Culture. Washington, D.C.: American Association for the Advancement of Science, 1968.

Lowie, Robert H. The Crow Indians. New York: Rinehart, 1935.

Malinowski, Bronislaw. The Sexual Life of Savages. London: Routledge, 1929.

Mangin, William. "The Role of Regional Associations in the Adaptation of Rural Populations in Peru." Sociologus 9 (1959): 23–35.

Mannheim, Bruce. "Popular Song and Popular Grammar: Poetry and Metalanguage." Word 37 (1986): 45–75.

McAllester, David P. Enemy Way Music: A Study of Social and Esthetic Values as Seen in Navaho Music. Cambridge, Mass.: Peabody Museum, 1954.

McLeod, Norma, and Marcia Herndon. The Ethnography of Musical Performance. Norwood, Pa.: Norwood, 1980.

Mead, Margaret. Coming of Age in Samoa. New York: Mentor Books, 1928 [1949].

Merriam, Alan P. The Anthropology of Music. Evanston, Ill.: Northwestern University Press, 1964.

——. "Definitions of 'Comparative Musicology' and 'Ethnomusicology': An Historical-Theoretical Perspective." Ethnomusicology 21 (1977): 189–204.

——. "The Use of Music in the Study of a Problem of Acculturation." American Anthropologist 57 (1955): 28–34.

Moore, Robin. Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 19201940. Pittsburgh: University of Pittsburgh Press, 1997.

Myers, Helen. Ethnomusicology: An Introduction. New York: Norton, 1992.

Nettl, Bruno. Encounters in Ethnomusicology. Warren, Mich.: Harmonie Park, 2002.

——. North American Indian Musical Styles. Philadelphia: American Folklore Society, 1954.

Nettl, Bruno, and Philip V. Bohlman, eds. Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. Chicago: University of Chicago Press, 1991.

Noll, William. "Music Institutions and National Consciousness among Polish and Ukrainian Peasants." In Ethnomusicology and Modern Music History, edited by Stephen Blum, Philip V. Bohlman, and Daniel M. Neuman. Urbana: University of Illinois Press, 1991.

Peña, Manuel. "From Ranchero to Jaitón: Ethnicity and Class in Texas-Mexican Music (Two Styles in the Form of a Pair)." Ethnomusicology 29 (1985): 29–55.

Perrone, Charles A., and Christopher Dunn, eds. Brazilian Popular Music and Globalization. Gainesville: University Press of Florida, 2001.

Powers, Harold S. "Language Models and Musical Analysis." Ethnomusicology 24 (1980): 1–60.

Radano, Ronald, and Philip V. Bohlman, eds. Music and the Racial Imagination. Chicago: University of Chicago Press, 2000.

Sachs, Curt. The Wellsprings of Music. Edited by Jaap Kunst. The Hague: Nijhoff, 1962.

Seeger, Anthony. Why Suyá Sing: A Musical Anthropology of an Amazonian People. Cambridge, U.K.: Cambridge University Press, 1987.

Stempfle, Stephen. The Steelband Movement: The Forging of a National Art in Trinidad and Tobago. Philadelphia: University of Pennsylvania Press, 1995.

Stokes, Martin, ed. Ethnicity, Identity, and Music: The Musical Construction of Place. Oxford: Berg, 1994.

Sugarman, Jane. Engendering Song: Singing and Subjectivity at Prespa Albanian Weddings. Chicago: University of Chicago Press, 1997.

Turnbull, Colin M. The Forest People. New York: Simon and Schuster, 1961.

Turner, Victor, and Edward M. Bruner, eds. The Anthropology of Experience. Urbana: University of Illinois Press, 1986.

Turino, Thomas. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago: University of Chicago Press, 2000.

——. "The State and Andean Musical Production in Peru." In Nation-State and Indian in Latin America, edited by Joel Sherzer and Greg Urban. Austin: University of Texas Press, 1990.

Tylor, Edward Burnett. Religion in Primitive Culture, Part II of Primitive Culture. New York: Harper and Brothers, 1871 [1958].

Wade, Peter. Music, Race, and Nation: Musica Tropical in Colombia. Chicago: University of Chicago Press, 2000.

Waterman, Richard. "African Influence on the Music of the Americas." In Acculturation in the Americas, edited by Sol Tax. Chicago: University of Chicago Press, 1952.

Waxer, Lise A. The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia. Middletown, Conn.: Wesleyan University Press, 2002.

Whitten, Norman. Black Frontiersmen: A South American Case. 2nd ed. Prospect Heights, Ill.: Waveland Press, 1974 [1986].

Zemp, Hugo. "'Are'are Classification of Musical Types and Instruments." Ethnomusicology (1978) 22: 37–67.

——. "Aspects of 'Are'are Musical Theory." Ethnomusicology 23 (1979): 5–48.

Additional topics

Science EncyclopediaScience & Philosophy: Molecular distillation to My station and its duties:Anthropology of Music - Musical Anthropology, Comparative Musicology And Ethnomusicology, The Anthropology Of Music, Bibliography